At the play's heart is Nicky's relationship with his socialite beauty mother, Florence (Kerry Fox), capturing her character's vanity) who frequently cuckolds his father (William Chubb) doing stoicism rather well) with men her son's age; her latest squeeze is not-so-dashing officer Tom (Jack Hawkins), who's definitely not a keeper. It starts deep in Coward territory - all cocktails and cigarettes in holders (there's an awful lot of smoking in this play) - and people saying “frightfully” and “terribly” a lot as Florence's friends, including James Dreyfuss as Pauncefort Quentin, gather in her drawing room for a stiffener before dinner. There's even a character called Bunty (Sophie Rundle).
But Neil Warmington's simple set, on a roughly painted canvas surrounded by a broken picture frame, gives us the nod that there are some fractured relationships to be examined among the clinking glasses.
Nicky (David Dawson, pictured above with Sophie Rundle) returns to the family home after a debauched year in Paris; he has got himself hitched to Bunty in order to go straight. By coincidence, Tom used to step out with Bunty and the rekindling of their romance is the catalyst for both Florence and Nicky's breakdowns. When Florence becomes hysterical at losing out to the younger woman not even her wise friend Helen (the terrific Rebecca Johnson) can calm her, in a scene where the lesbian undertow is subtly played.
As the evening progresses, Nicky's behaviour becomes more erratic and it leads to an emotional confrontation with his mother where he cruelly tears apart the pretence of her life, while confessing how wretched his own existence has become because he has been living a lie.